![]() I was educated to always have additional lights at the shoot. I underestimated the presence of the ambiance of the street lights. One immediate roadblock was the lack of natural light. ![]() That lens was more portable and allowed for greater stabilization in more intensive kinetic sequences. The 18-135mm lens was strictly used for the entire second scene. The lens provided natural lens flares, and allowed for most of the frame to be filled with positive space. The majority of the shoot required the 70-300mm lens because of the depth of field quality. It was a one camera shoot, and the camera was a Canon EOS 60D with three lenses (50mm, 18-135mm, and 70-300mm). ![]() The production of 'Street Lights' took place over the course of four-five hours on one very cold night. The actor is seeking guidance and requesting assistance from the feminine energy. The last shot has the actor reaching toward the crescent moon. Artemis is the goddess of the hunt, nature, and birth. The crescent moon symbolizes the Greek goddess Artemis. Throughout the project the moon is present, and it is a crescent moon. The third scene is the opportunity for the character to truly adjust their mentality. And finally, the third scene was a pivot point to a positive headspace: essentially through tone and visual representation.
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